Early career

Connelly became a star on her next picture, the fantasy Labyrinth (1986), playing Sarah, a teenager who wishes her baby brother into the world of goblins ruled by goblin king Jareth (David Bowie). The film disappointed at the box office, but gained a great cult following.[citation needed] Connelly starred in several obscure films, such as Etoile (1988) and Some Girls (1988). The Dennis Hopper-directed The Hot Spot (1990) was not a success, either critically or commercially. Another film, Career Opportunities, was more successful and is considered a teen cult classic. It and Hot Spot threatened to typecast her in the "sexpot" stereotype with both films emphasizing her voluptuous figure, particularly Hot Spot, which contained her first topless scene. It would be the first of seven movies in which she appeared nude. Connelly was featured on the cover of Esquire in August 1991, as part of the "Women We Love" feature.[5] She appeared alongside Jason Priestley in the Roy Orbison music video for "I Drove All Night" in 1992. Connelly began studying English at Yale, and two years later transferred to Stanford.

The big-budget Disney film The Rocketeer (1991) similarly failed to ignite Connelly's career; after its failure she took some time off from acting. The 1996 indie film Far Harbor played her against type and hinted at a much broader range than she had previously shown. Connelly began to appear in smaller but well-regarded films, such as 1997's Inventing the Abbotts and 2000's Waking the Dead. She played a collegiate lesbian in John Singleton's 1995 ensemble drama, Higher Learning. The critically favored 1998 science fiction film Dark City afforded her the chance to work with such actors as Rufus Sewell, William Hurt, Ian Richardson and Kiefer Sutherland. Connelly revisited her ingenue image, although in a more understated way, for the 2000 biopic Pollock, in which she played Jackson Pollock's mistress.